Ann Hui’s quiet epic（许鞍华安静的史诗）
Ann Hui’s career is usually associated with intimate films, mostly studies of character. We saw her at Ebertfest earlier this year, where she presented A Simple Life, the epitome of such films.
Now she has surprised audiences with another character study, but one set in a tumultuous period of Chinese history, the late 1930s and early 1940s. The Golden Era (2014) tells the story of female writer Xiao Hong, who died young in 1942. Not all the facts of Xiao Hong’s life are known, and the narrative sketches scenes derived from the author’s own writings. Interspersed are “documentary” shots of interviews with people (played by actors) who knew and worked with Xiao Hong.
Much of the tale consists of small-scale scenes, conversations among a few people set indoors or in the streets. Yet as the Japanese invasion begins and spreads, occasional big scenes occur, and Hui proves herself perfectly capable of suggesting creating a sense of epic events.
The war is only fleetingly present, however. We see it mainly from the viewpoint of the main characters, as when a quiet indoor conversation scenes are abruptly and startlingly cut short by bombs going off outside and shattering windows.
The film’s settings and costumes create a vivid sense of the era. There are street scenes in Hong Kong shortly before its fall to the Japanese that appear almost documentary in their realism. Throughout the images are beautiful, as the frame at the top of the entry demonstrates.
The film’s three-hour running length adds to the epic feel, tracing the heroine’s changing fortunes across momentous historical events. It makes a striking contrast with A Simple Life, and yet Hui’s concern with precision and detail in delineating characters remains constant. The pair might bring her back to the sort of prominence outside Hong Kong that she enjoyed in the 1980s and early 1990s.