https://itunes.apple.com/us/album/love-streams/id1075711543 Love Streams takes its cues from the avant-classical orchestration and extreme electronic processing of Tim Hecker's previous full-length, 2013’s Virgins, but shaped into more melancholic, ultraviolet hues. Inspired by notions of 15th century choral scores (particularly those by Josquin des Prez), transposed t...(展开全部)https://itunes.apple.com/us/album/love-streams/id1075711543 Love Streams takes its cues from the avant-classical orchestration and extreme electronic processing of Tim Hecker's previous full-length, 2013’s Virgins, but shaped into more melancholic, ultraviolet hues. Inspired by notions of 15th century choral scores (particularly those by Josquin des Prez), transposed to an artificial intelligence-era language of digital resonance and bright synths, the album was assembled gradually, with layers of studio-tracked keyboards, choir and woodwinds being woven into the mix, then molded and disfigured through complex programming. Like hearing some ancient strain of sacred music corrupted by encryption, Hecker admits to thinking about ideas like “liturgical aesthestics after Yeezus” and the “transcendental voice in the age of auto-tune,” during its creation. The Love Streams sessions took place throughout 2014 and 2015 at Greenhouse Studios in Reykjavik, Iceland – where parts of both Virgins and Ravedeath, 1972 were tracked – with Hecker reuniting with the same crew of collaborators from Virgins (Kara-Lis Coverdale, Grímur Helgason) and bolstered by the Icelandic Choir Ensemble, whose vocal arrangements were scored by Icelandic composer Johann Johannsson. The title of Hecker’s new work can be interpreted any number of ways – erotic, technological, spiritual – although his own conception is appropriately vast, calling it “a riff on the ubiquity and nihilism of streaming of all forms of life.” Now we stream more than we love. Nowadays music too frequently resembles a product, or white noise. With a career spanning fifteen years, Tim Hecker belongs to a select camp actively resisting this undertow, this reduction in significance.
曲目
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1. Obsidian Counterpoint 2. Music of the Air 3. Bijie Dream 4. Live Leak Instrumental 5. Violet Monumental I 6. Violet Monumental II 7. Up Red Bull Creek 8. Castrati Stack 9. Voice Crack 10. Collapse Sonata 11. Black Phase
High A-(89)整体变明亮、悦耳与ethereal了并不代表功力有所下降。各式各样的原声乐器以及唱诗班创造出了一个极为抽象与真空、同时也更加有机的冰冷世界,它代表了一种焦虑,一种悬空的、漂浮的致幻体验,而那些色调浓厚、诡异且具有异星球气息的synth和glitchy noise will definitely mess with your head。这张整体sound design算是前作与...High A-(89)整体变明亮、悦耳与ethereal了并不代表功力有所下降。各式各样的原声乐器以及唱诗班创造出了一个极为抽象与真空、同时也更加有机的冰冷世界,它代表了一种焦虑,一种悬空的、漂浮的致幻体验,而那些色调浓厚、诡异且具有异星球气息的synth和glitchy noise will definitely mess with your head。这张整体sound design算是前作与今年新专的一个过渡,兼具sparseness和density,当然这张是他生涯中色调最丰富饱和的一张专辑,也是最具有柔和美与流动性的专辑(展开)
0 有用 sean cheung 2017-01-20 16:16:50
去年電子樂的口碑作,音樂家本人是厲害的,但靈動程度就不如他自己上一張virgins,可能是進了4AD之後自己有想網羅另一批受眾吧。
2 有用 IDKAboutYou 2018-09-23 19:31:35
High A-(89)整体变明亮、悦耳与ethereal了并不代表功力有所下降。各式各样的原声乐器以及唱诗班创造出了一个极为抽象与真空、同时也更加有机的冰冷世界,它代表了一种焦虑,一种悬空的、漂浮的致幻体验,而那些色调浓厚、诡异且具有异星球气息的synth和glitchy noise will definitely mess with your head。这张整体sound design算是前作与... High A-(89)整体变明亮、悦耳与ethereal了并不代表功力有所下降。各式各样的原声乐器以及唱诗班创造出了一个极为抽象与真空、同时也更加有机的冰冷世界,它代表了一种焦虑,一种悬空的、漂浮的致幻体验,而那些色调浓厚、诡异且具有异星球气息的synth和glitchy noise will definitely mess with your head。这张整体sound design算是前作与今年新专的一个过渡,兼具sparseness和density,当然这张是他生涯中色调最丰富饱和的一张专辑,也是最具有柔和美与流动性的专辑 (展开)
0 有用 阿岭 2021-11-04 09:44:17
在 Tim Hecker 的序列中并不出彩
0 有用 Konec 2016-02-14 00:59:53
= -
0 有用 失控的蘑菇 2016-05-16 11:46:05
难听
0 有用 enilsaniaruot 2024-02-29 07:04:02 加拿大
01/03/04
0 有用 2018-04-06 22:56:43
我给五星
0 有用 Medillali 2019-09-08 04:33:32
B+
0 有用 13pelican 2019-11-26 21:01:37
甜腻的软暴力
0 有用 … 2017-03-09 16:28:51
套路…