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污秽与愤怒 The Filth and the Fury (2000)

The Filth and the Fury

导演: Julien Temple
主演: John Lydon / Malcolm McLaren / Steve Jones
类型: 纪录片 / 音乐 / 传记
官方网站: http://www.filthandfury.co.uk/
制片国家/地区: 英国 / 美国
语言: 英语
上映日期: 2000-02-12
片长: 108 分钟
IMDb: tt0236216

豆瓣评分

8.9

5星

56.2%

4星

31.7%

3星

11.9%

2星

0.3%

1星

0.0%

好于 22% 纪录片

评价:

污秽与愤怒的剧情简介 · · · · · ·

　　If nothing else, this is the only Sex Pistols film (there are now at least 3) to make explicit and in-depth reference to the band members' working class roots, and the way that experience informed their project. This alone makes the film worth seeing, as it explodes the myth, fostered no doubt by their PT Barnum manager, Malcolm McLaren, that the whole project was an exercise i... (展开全部) 　　If nothing else, this is the only Sex Pistols film (there are now at least 3) to make explicit and in-depth reference to the band members' working class roots, and the way that experience informed their project. This alone makes the film worth seeing, as it explodes the myth, fostered no doubt by their PT Barnum manager, Malcolm McLaren, that the whole project was an exercise in cynical nihilism and money grubbing. As the band members tell it, nothing could have been further from the truth. I believe them.
　　The film is cobbled together in large part from 2 previous Sex Pistols documentaries, "Rock 'n' Roll Swindle," (a McLaren project also directed, ironically enough, by F&F director Julie Temple) and "D.O.A," plus clips from BBS television and elsewhere that try to locate the Pistols in the political and social climate that spawned them. This effort, to give the Pistols a historical context, is by far the most valuable part of the film for those trying to understand how a bunch of working class stiffs, who could barely play their instruments, and who only released one album, could set off an explosion that reverberates in the music world--if increasingly faintly--even today.
　　Best part of the film: footage from their last, secret gig at a palace in a working class district (they had been banned from appearing anywhere in England) before embarking on their ill-fated US tour. It consists of two performance on Christmas Day, benefiting the families of striking local firefighters, who had been out of work for many months. The attendees consist of the local lads and lasses, none of whom are "punk" in any apparent sense of the term.
　　Before the Pistols performed, everyone eats Sex Pistols cake and ice cream; "Never Mind the Bollocks" shirts are stretched over the pubescent bodies of every bobby soxer. Then, after a thank you from the emcee, the Pistols launch into the searing "Bodies," its sarcastic refrain sung from the point of view of an aborted fetus ("I'm not an animal!/I'm an abortion..."). All the boppers dance like it's a sock hop, with the difference that everyone gleefully throws leftover desserts at one another. Steve Jones is shown playing guitar with his face covered in cake icing, beaming. In his reminiscence about the gig, Rotten grows wistful, saying it was easily their best memory as a band, and the last good one before it all fell apart.
　　I never knew the guys were such sentimentalists.
　　It's hard to believe that there once was a time when rock music could actually matter, when it was possible to actually escape the commodified rebellion that now sells Budweiser, Nike, and SUVs, when it was possible, however briefly to scare the pants of the political establishment. Young pop music lovers who swallow the meretricious rebellion of rap or grunge--whose self-important lyrics and idiotically monotonous rhythms make their authors rich off the weekly allowances of white middle class kids whose idea of rebellion is big loud subwoofers in the Corolla Daddy bought them for their 16th birthday--might profit from getting a glimpse of the Real Thing.
　　The rest of us, who were lucky enough to have been there when history was made, and who can still recall the opening chords of "Anarchy in the UK" blasting all traces of "More Than a Feeling" and "Take It Easy" out of our speakers cabinets and into the first circle of music Hell where they always belonged, can enjoy the film for what it teaches us about the power of ordinary, thoroughly obnoxious people to make their own history, and ours.

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我要写短评

污秽与愤怒的短评 · · · · · · ( 全部 97 条 )

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11 有用蘭女看过 2009-07-31 05:39:00

如果想了解真实的Sex Pistols，这是最佳的一部电影。到最后John Lydon哽咽地说：I've lost my friend...I couldn't change it...I was too young...它是如此真实的一部电影，如此真实的一群人

1 有用贾小宁看过 2010-10-25 04:05:30

老了见不了人了

2 有用 Doublebitch 看过 2010-06-25 21:11:10

john年轻时真帅！越看越想去英国T-T

2 有用 FiΙTн 看过 2008-06-09 21:08:46

not just about the pistols,the punk rock,the movement,it's about history....

3 有用孟騒瑞看过 2010-07-14 23:25:50

性情中人混蛋透顶

> 更多短评 97条

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污秽与愤怒的影评 · · · · · · ( 全部 4 条 )

热门最新好友

橙子换马甲 2013-12-12 19:02:47

部分字幕笔记

给自己备用的颠三倒四的笔记。 johnny rotten的声音比较明显，steve jones和paul cook的声音我不太分辨得出来，就【？？？】了，对不起… 关于Johnny & Sid 【Sid】I thought they were gonna do me over, 'cause I didn't turn up to one of Rotten's parties or somethin... (展开)

cccj.box 2013-12-12 22:11:31

分享会上憋着没说出来的。

分享会上主持人说请大家share一下的时候我就憋住了沉默了。可以怎么说呢 Sex Pistols就是因为没办法好好说所以才用着一种近乎爆炸自己亮瞎别人的方式表达自己，以及他们所代表的沉默的人。那些没办法发声的事物人。 70年代，1977-1979，失业的青年，无法从因为温饱奔走的... (展开)

nobita 2008-06-20 20:12:15

我也想PUNK一下

在中国呆了22年了我也多想PUNK一下但是我没有坏牙们的勇气我过着大家过着的日子把精神寄托在这群英国人渣身上意淫着 (展开)

⌛️ 2020-07-27 05:11:13

做了双语字幕但是不知道投到哪里好

花了几天时间肝完了双语字幕，自己水平不够，翻译的可能有很多问题，因为是双语，觉得中文版烂的话至少还可以看看英字。投到了B站，一大早看手机发现以内容低俗为理由给我锁定了……完全不知道该往哪投好，所以有没有人给点建议凑字数凑字数凑字数凑字数凑字数凑字数凑字数凑... (展开)

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讨论区 · · · · · ·


求这个电影的连接！！！	来自小夔兽	9 回应	2012-01-04 16:18:28
谁有字幕	来自土豆	4 回应	2010-01-31 13:28:09

> 去这部影片的讨论区（全部2条）

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