《Week-end》慢速观影笔记

有韧性的吕小花
2013-02-06 看过
提示:这篇影评可能有剧透
"Tell me your name, Madame."
"Me? I'm Corinne Durand."
"Durand's your husband's name. What's yours?"
"My maiden name? Corinne Dupont."
"Dupont is your father's name. What's yours?"
"You see, you don't even know who you are."

35'06 - 36'11
这一段公路狂飙,最后的分屏镜头和车祸后Corinne的嘶喊:My Hermës handbag!

DE LA RÉVOLUTION FRANÇAISE AUX WEEKENDS UNR 从法国大革命到戴高乐周末

(戴高乐党:Gaullist UNR Party)

47'58:
If they buy knowledge, it's only to resell it.
They want cheap knowledge to sell at a profit.
They want nothing which would stand in the way of their victory.
They don't want to be oppressed, they want to oppress.
They don't want progress, they want to be first.
They'll submit to anyone who promises them they can make the laws.
I wondered what I could say of them. I decided it was that.

50'44 - 58'02 ACTION MUSICALE
这一章个人很喜欢,长镜头在院子里一圈一圈地绕着,伴随着莫扎特的钢琴曲和钢琴手的长篇大论

围坐在垃圾车旁,啃着发硬的面包,陈述或倾听关于class society的大篇哲学调调,整部电影中充斥着长篇大论,但总是运用长镜头对着倾听者或者无关紧要的风景,就是不给陈述者镜头。在这些关于civilization和class society的讨论中,穿插了一些前面的镜头。
Engels
Morgan
savagery到barbarism到civilization

01:12:55 The Greeks passed from tribe, to confederation, to military democracy.

Corinne为父亲遗产发愁时,丈夫Roland却念着Corinne借来的小说中无关紧要的hippopotamus和lord的对话

影片最后一段有些镜头莫名血腥,看着略感不适

打击乐配合长篇大论挺带感
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