告别观念

原文摘录   · · · · · · 

• ‘我只在大自然观察。但人类精神赋予视觉的统一性只能在工作室中才能发现。正是在工作室中，最初零碎的印象变得协调起来，显现出各自的特征，形成乡村真实的诗意。在户外，人们可以捕捉到引人注目的精妙的和谐；但人们无法充分地质问自己，从而使作品证实自己的内心感受。这就是我的作品在寻求理智的统一性时追求的东西。’ 他（毕沙罗）经常使用的词语是：统一、和谐、综合、协调整合、相互的区分和印象的澄清，但还有感受、自我的质问、理论和理智的统一。人类的精神赋予视觉统一性。绘画在成为装饰之前，应该具有认知的特征-即探究和整体性的特征，这些特征根植于感知的自相矛盾之中。“装饰”意味着过早地承认了绘画的实际社会功能的真实性。 p.203 (查看原文)

  Bitdaydreamer 1赞 2021-03-23 18:02:37

• For a long time, writing this book, I had a way of beginning it in mind. I wanted to imagine modernism unearthed by some of future archaeologist, in the form of a handful of disconnected pieces left over from a holocaust that had utterly wiped out the pieces' context - their history, the family of languages they belongs to, all traces of a built environment. The questions that followed from the thought-experiment were these. What forms of life would future views reconstruct from this meterial? What idea of the world's availability to knowledge would they reckon the vanished image-makers had operated with? What imaginings of past and future? Or of part and whole? Would it be just the archaeologists' fancy that the surviving images had ruin, void, and fragmentariness already written into th... (查看原文)

  Mo.o.kiia_ 2023-11-04 19:15:46