渎神

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• 一个作者的风格——就像为一切造物所展示的恩宠那样——对其天赋的依赖比对他身上那个被剥夺了天赋的部分、对他的性格的依赖要少。这就是为什么在我们爱上某人的时候我们实际上爱的既不是他的天赋也不是他的性格（更不是他的自我）而是他特别的、规避这两极的方式，是他在天赋与命运之间快速地来回摇摆。 (查看原文)

  寒枝雀静 7赞 2020-02-13 16:43:40

• Sancho Panza enters a cinema in a provincial city. He is looking for Don Quixote and finds him sitting off to the side, staring at the screen. The theater is almost full; the balcony – which is a sort of giant terrace – is packed with raucous children. After several unsuccessful attempts to reach Don Quixote, Sancho reluctantly sits down in one of the lower seats, next to a little girl (Dulcinea?), who offers him a lollipop. The screening has begun; it is a costume film: on the screen, knights in armor are riding along. Suddenly, a woman appears; she is in danger. Don Quixote abruptly rises, unsheaths his sword, rushes toward the screen, and, with several lunges, begins to shred the cloth. The woman and the knights are still visible on the screen, but the black slash opened by Don Quixote’... (查看原文)

  Tairman 1赞 2016-03-05 14:22:42

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