Ian McEwan's Somerset Maugham Award-winning collection First Love, Last Rites brought him instant recognition as one of the most influential voices writing in England today. Taut, brooding, and densely atmospheric, these stories show us the ways in which murder can arise out of boredom, perversity can result from adolescent curiosity, and sheer evil might be the solution to unb...
Ian McEwan's Somerset Maugham Award-winning collection First Love, Last Rites brought him instant recognition as one of the most influential voices writing in England today. Taut, brooding, and densely atmospheric, these stories show us the ways in which murder can arise out of boredom, perversity can result from adolescent curiosity, and sheer evil might be the solution to unbearable loneliness. These tales are as horrifying as anything written by Clive Barker or Stephen King, but they are crafted with a lyricism and intensity that compel us to confront our secret kinship with the horrifying.
Ian McEwan is the bestselling author of more than ten books, including the novels The Comfort of Strangers and Black Dogs, both shortlisted for the Booker Prize, Amsterdam, winner of the Booker Prize, and The Child in Time, winner of the Whitbread Award, as well as the story collections First Love, Last Rites, winner of the Somerset Maugham Award, and In Between the Sheets. He ...
Ian McEwan is the bestselling author of more than ten books, including the novels The Comfort of Strangers and Black Dogs, both shortlisted for the Booker Prize, Amsterdam, winner of the Booker Prize, and The Child in Time, winner of the Whitbread Award, as well as the story collections First Love, Last Rites, winner of the Somerset Maugham Award, and In Between the Sheets. He has also written screenplays, plays, television scripts, a children’s book, and the libretto for an oratorio. He lives in London.
Biography
One of the most distinguished novelists of his generation, Ian McEwan was born in England and spent much of his childhood traveling with his father, an army officer stationed in the Far East, Germany, and North Africa. He graduated from Sussex University in 1970 with a degree in English Literature and received his MA in Creative Writing from the University of East Anglia.
McEwan burst upon the literary scene in the mid-1970s with two short story collections that highlighted with equal clarity his early predilection for disturbing, somewhat shocking subject matter and his dazzling prose style. Similarly, his 1978 debut novel, The Cement Garden, attracted as much attention for its unsettling storyline as for its stylistic brilliance. But even though his early work was saturated with deviant sex, violence, and death (so much so that he earned the nickname "Ian MacAbre"), he was never dismissed as a mere purveyor of cheap thrills. In fact, two of his most provocative works (The Comfort of Strangers and Enduring Love) were shortlisted for major U.K. awards.
As he has matured, McEwan has moved away from disquieting themes like incest, sadism, and psychotic obsession to explore more introspective human dramas. In an interview with The New Republic he described his literary evolution in this way:
"One passes the usual milestones in life: You have children, you find that whether you like it or not, you have a huge investment in the human project somehow succeeding. You become maybe a little more tolerant as you get older. Pessimism begins to feel something like a badge that you perhaps do not wear so easily. There is something delicious and reckless about the pessimism of being 21. And when you get older you feel maybe a little more delicate and hope that things will flourish. You don't want to take a stick to it."
Among many literary honors, McEwan has been awarded the Somerset Maugham Award for First Love, Last Rites (1976) and the Whitbread Prize for The Child in Time (1987). Nominated three times for the Booker Prize, he finally won in 1998 for Amsterdam. He has also received the WH Smith Literary Award and National Book Critics' Circle Fiction Award for Atonement (2001) and the James Tait Black Memorial Prize for Saturday (2005).
目录
· · · · · ·
Homemade
Solid Geometry
Last Day of Summer
Cocker at the Theatre
Butterflies
Conversation with a Cupboard Man
· · · · · ·
(更多)
Homemade
Solid Geometry
Last Day of Summer
Cocker at the Theatre
Butterflies
Conversation with a Cupboard Man
First Love, Last Rites
Disguises
· · · · · · (收起)
This realm of filthy, slimy, morbid atmosphere where no love, but lust and indifference are harbored contains only tiny wits and tricks, no logos of writing. Nor could I c any spark in the language. T...This realm of filthy, slimy, morbid atmosphere where no love, but lust and indifference are harbored contains only tiny wits and tricks, no logos of writing. Nor could I c any spark in the language. To me nothing remains besides the text and I'm certain that I don't like him.(展开)
Hot, sulky summer, cold, warm but transient winer. terrible story about mix desir and the shadow of death. His work is like a mix of drink. At first sip you'll take it as soda with strange,bleak but u...Hot, sulky summer, cold, warm but transient winer. terrible story about mix desir and the shadow of death. His work is like a mix of drink. At first sip you'll take it as soda with strange,bleak but understadable flavor, while you drink till the bottom of it, the acrid smell make you wanna shrienk, but it's too late. You cannot let it go.(展开)
![[英国] 伊恩·麦克尤恩](https://img2.doubanio.com/img/author/medium/public/1490682573.91.jpg)
伊恩·麦克尤恩 作者
丁小云
南京大学出版社2010版
malingcat
南京大学出版社2010版
btr
南京大学出版社2010版
東方不親
南京大学出版社2010版
刘十三
南京大学出版社2010版
李觉得
上海译文出版社2013版
1 有用 Zǐ 2012-11-10 21:48:39
唉 几年来未有能撼动solid geometry在我心中地位的短篇了 当然还有butterfly
1 有用 野次馬 2011-01-30 17:58:56
This realm of filthy, slimy, morbid atmosphere where no love, but lust and indifference are harbored contains only tiny wits and tricks, no logos of writing. Nor could I c any spark in the language. T... This realm of filthy, slimy, morbid atmosphere where no love, but lust and indifference are harbored contains only tiny wits and tricks, no logos of writing. Nor could I c any spark in the language. To me nothing remains besides the text and I'm certain that I don't like him. (展开)
3 有用 柒禾 2011-03-27 12:58:17
Ian McEwan一种好处，便是频频利用英语的句式惯性，将欲念不停后置，延宕，甚至拒绝提供最后的栖身之所。所以，难免会读得心上蚁群成行。
4 有用 inuka 2014-02-03 01:48:30
如果要说喜不喜欢我会说不喜欢因为真变态。可是读起来很有意思，妙得很。
0 有用 Doyle Frenger 2010-06-07 03:09:44
disturbing is the right word
0 有用 Ashley 2024-04-08 03:54:50 加拿大
非常惊悚的8个小故事，很难想象这是Ian McEwan的第一部出版的短篇小说集
0 有用 周之又 2023-12-06 16:03:08 北京
A very interesting writer
0 有用 武当派掌门 2023-11-13 15:23:22 广东
故事情节变态，但写得确实相当流畅，McEwan英伦鬼才也！
0 有用 LAVIE 2023-10-20 15:01:23 北京
it's got nothing to do with love
0 有用 栉海 2023-07-28 08:37:42 上海
Hot, sulky summer, cold, warm but transient winer. terrible story about mix desir and the shadow of death. His work is like a mix of drink. At first sip you'll take it as soda with strange,bleak but u... Hot, sulky summer, cold, warm but transient winer. terrible story about mix desir and the shadow of death. His work is like a mix of drink. At first sip you'll take it as soda with strange,bleak but understadable flavor, while you drink till the bottom of it, the acrid smell make you wanna shrienk, but it's too late. You cannot let it go. (展开)